Jordan Peele on the dreams and nightmares of ‘Nope’

There’s little in contemporary movies quite like the arrival of a new Jordan Peele film. They tend to descend ominously and mysteriously, a little like an unknown object from above that casts an expanding, darkening shadow the closer it comes.

Jordan Peele on the dreams and nightmares of ‘Nope’

“Nope,” the writer-director’s third film, is nearly here. After Peele’s singular debut, “Get Out,” about the possession of Black bodies and the fallacy of post-racial America, and his follow-up, “Us,” a monstrous tale of doppelgangers and societal mirrors, the closely-kept-under-wraps “Nope” brings a new set of horrors and unsettling metaphors.

“Movie’s done,” Peele said in a recent interview. “I’m still writing it.”

For Peele, who writes through shooting and considers the conversation generated by a movie one of its main ingredients, “Nope” is far from a finished project. “Movie’s done,” Peele said in a recent interview. “I’m still writing it.”

It’s Peele’s most ambitious film yet, a flying saucer horror that digs into the nature of spectacle and the desire to document it — a multithreaded theme that encompasses Hollywood history and “Nope,”

Daniel Kaluuya and Keke Palmer star as a brother and sister in a family horse wrangling business for film productions. Their California ranch is visited by a strange and violent force in the clouds that they strive to capture on film.